Saturday, February 7, 2015

Ceramics, porcelain, textiles, interior decoration dominated the local flora, fauna, folk ornamenta


Scandinavian design professional first steps have been taken in the middle of the nineteenth century, were created when the craft and art societies, women engaged in weaving, amalgamations, who later rose to artists, designers organizations. Associations of craftsmen and today plays an important role in these countries' cultural and social life. Specific craft glass, textiles, bookshelves iron-working techniques attempt to adapt the industry. Nordic countries traditionally dominated by textiles, knotted-pile carpets, woodwork, ceramics. Here, even children's furniture reflects bookshelves the Scandinavian minimalism.
Ceramics, porcelain, textiles, interior decoration dominated the local flora, fauna, folk ornamentation elements. Integration of traditional crafts to contemporary design was an important factor, giving the democratic nature of minimalism, which in the second half of the twentieth century has gained a clear methodological, scientific bases, expanded and supplemented humane and functional Scandinavian design features.
Sweden, near the craft, already at the beginning of the eighteenth century were created ceramics, porcelain factories. Central Europe in the nineteenth century, intensive expansion of industrial production in the Scandinavian country of foreign revile addressed by mass production, a concern to preserve their traditional businesses, bookshelves local crafts, and integrate them into the emerging bookshelves industry. Solutions was determined by pragmatic considerations that first need to develop a good taste in their country to train professionals in the fast paced wood, glass, porcelain industry. In the second half of the nineteenth century in Great Britain started the craft revival, has been exacerbated by the Scandinavian countries to join the artists and craftsmen associations, communities, care for art, crafts founded schools.
In 1900, all the Scandinavian countries together for the first time participated in the World Exhibition in Paris in industrial bookshelves products, where it was demonstrated traditional Scandinavian art industries - textiles, ceramics, glass, wood, metal and even kitchens. The exhibition of these countries during the attachment to their craft traditions, folklore and legends. World Exhibition in New York near American design futuristic ideas for the future, technology innovation demonstrated democratic triumph Scandinavians humanistic design bookshelves as a counterweight techniškajam. This exhibition has been observed distinctive Scandinavian design direction, which after the Second World War has become a significant further influenced the development of the design.
The post-war period, the Scandinavian countries, the government has devoted much attention and support the integration of design in industry associations in the development of creative, aware of the importance bookshelves of design for economic progress foothold in the international market.
The harsh climate and harmony with nature has formed a distinctive Scandinavian style. As for furniture - and there are no bright colors like screaming. Priority will always be given to the function, and aesthetics derive from the same naturalness and minimalism. Scandinavian design means less is always more, and it does not matter that the children's furniture neapklijuoti books and characters, because the design and understanding of the values of vaccination begins precisely from childhood. bookshelves "Made in Scandinavia" - that is the inscription refers to the quality and symbolize the harmony between bookshelves nature, tradition and civilization achievements. At the same name and was started in a magazine, which is widely presented works of designers, famous brands and new products.
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