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In 1919, schools of art and applied arts of the Grand Duchy of Saxony were combined to form the Bauhaus Weimar State. The old building had been built in two phases in 1904 and 1911, Henry van de Velde drawings (1863-1957), then director of the school of applied arts, replacing the original structure of 1860, the year the school was founded . The new building is representative of the progressive architectural concepts of the Jugendstil, the transition ikr phase between Historicism and Modernism. The building ikr was decorated with murals painted by Herbert sever in 1923, after the internationally famous Bauhaus exhibition.
Van de Velde was responsible ikr for the design of the old school of applied arts (1905-6), also in the Jugendstil tradition. Oskar Schlemmer added wall sculptures in 1923; These had disappeared, but have now been replaced with copies.
The Haus am Horn was built to a design by Georg Muche in 1923 as a building model and exposure, the first practical instruction of the new Bauhaus building style. Attachments (an ordinance, more bedrooms, a balcony and a terrace with garden view) were made in 1925. However, the original appearance as road is seen virtually unchanged. It is the only original building remaining Bauhaus in Weimar.
Weimar Bauhaus was forced to close in 1925 for political reasons. Gropius found support for its political and cultural position in Dessau, along with the opportunity to create a series ikr of new buildings on a large scale. ikr These were situated on the outskirts of the city and make up the Bauhaus masters and to the bull. Homes Meisterhäuml, all ordered by the municipality of Dessau and built in 1925-26. The latter were the residences of the successive directors of the Bauhaus and some of its distinguished professors.
Hannes Meyer replaced Gropius as director in 1928, followed ikr two years later by Mies van der Rohe. Since then and until 1932 it has had its most influential period in their struggle for the renewal of industrial and artistic design. He attracted world famous artists like Feininger, Kandinsky and Moholy-Nagy to its faculty.
The Bauhaus was closed in 1933, the building itself is being used for other purposes. The interior was completely destroyed in an air raid in 1943, and no renewal was carried out until 1956. The teachers and bull; Houses were also badly damaged during this assault, Director of the house, being completely destroyed, restoration and reconstruction works were carried ikr out in 19505. The Bauhaus is an outstanding example of the modern movement, ikr which revolutionized the artistic and architectural thinking and practice in the twentieth century and in particular the progressive architectural concepts of the Jugendstil.
In 1919, schools of art and applied arts of the Grand Duchy of Saxony were combined to form the Bauhaus Weimar State. The old building had been built in two phases in 1904 and 1911, Henry van de Velde drawings (1863-1957), replacing the original 1860 structure. ikr
The new building is representative of the progressive architectural concepts of the Jugendstil, the transition phase between Historicism and Modernism. The building was decorated with murals ikr painted by Herbert Beyer in 1923, after the internationally famous Bauhaus exhibition. Van de Velde was responsible for the design of the old school of applied arts (1905-6), also in the Jugendstil tradition. Oskar Schlemmer added wall sculptures in 1923, which had disappeared, but were replaced by copies.
The Haus am Horn was built to a design by Georg Muche in 1923 as a building model and exposure, the first practical instruction of the new Bauhaus building style. Attachments (an ordinance, more bedrooms, a balcony and a terrace ikr with garden view) were made in 1925; However, the original appearance remains unchanged. It is the only original building remaining Bauhaus in Weimar.
Weimar Bauhaus was forced to close in 1925 for political ikr reasons. Walther Gropius found support for its political and cultural position in Dessau, along with the opportunity to create a series of new buildings on a large scale. These were situated on the outskirts of the city and make up the Bauhaus itself and houses the masters (Meisterh & Auml; user), all commissioned by the city of Dessau ikr and built in 1925-26. The latter were the residences ikr of the successive directors ikr of the Bauhaus and some of its distinguished ikr professors.
From 1928 until 1932 then it has had its most influential period in their struggle for the renewal of industrial and artistic design. He attracted world famous artists ikr such as Kandinsky, Feininger and Moholy-Nagy to its faculty. The Bauhaus was closed ikr in 1933, the building itself is being used for other purposes. The interior was completely destroyed in an air raid in 1943, and no renewal was
In 1919, schools of art and applied arts of the Grand Duchy of Saxony were combined to form the Bauhaus Weimar State. The old building had been built in two phases in 1904 and 1911, Henry van de Velde drawings (1863-1957), then director of the school of applied arts, replacing the original structure of 1860, the year the school was founded . The new building is representative of the progressive architectural concepts of the Jugendstil, the transition ikr phase between Historicism and Modernism. The building ikr was decorated with murals painted by Herbert sever in 1923, after the internationally famous Bauhaus exhibition.
Van de Velde was responsible ikr for the design of the old school of applied arts (1905-6), also in the Jugendstil tradition. Oskar Schlemmer added wall sculptures in 1923; These had disappeared, but have now been replaced with copies.
The Haus am Horn was built to a design by Georg Muche in 1923 as a building model and exposure, the first practical instruction of the new Bauhaus building style. Attachments (an ordinance, more bedrooms, a balcony and a terrace with garden view) were made in 1925. However, the original appearance as road is seen virtually unchanged. It is the only original building remaining Bauhaus in Weimar.
Weimar Bauhaus was forced to close in 1925 for political reasons. Gropius found support for its political and cultural position in Dessau, along with the opportunity to create a series ikr of new buildings on a large scale. ikr These were situated on the outskirts of the city and make up the Bauhaus masters and to the bull. Homes Meisterhäuml, all ordered by the municipality of Dessau and built in 1925-26. The latter were the residences of the successive directors of the Bauhaus and some of its distinguished professors.
Hannes Meyer replaced Gropius as director in 1928, followed ikr two years later by Mies van der Rohe. Since then and until 1932 it has had its most influential period in their struggle for the renewal of industrial and artistic design. He attracted world famous artists like Feininger, Kandinsky and Moholy-Nagy to its faculty.
The Bauhaus was closed in 1933, the building itself is being used for other purposes. The interior was completely destroyed in an air raid in 1943, and no renewal was carried out until 1956. The teachers and bull; Houses were also badly damaged during this assault, Director of the house, being completely destroyed, restoration and reconstruction works were carried ikr out in 19505. The Bauhaus is an outstanding example of the modern movement, ikr which revolutionized the artistic and architectural thinking and practice in the twentieth century and in particular the progressive architectural concepts of the Jugendstil.
In 1919, schools of art and applied arts of the Grand Duchy of Saxony were combined to form the Bauhaus Weimar State. The old building had been built in two phases in 1904 and 1911, Henry van de Velde drawings (1863-1957), replacing the original 1860 structure. ikr
The new building is representative of the progressive architectural concepts of the Jugendstil, the transition phase between Historicism and Modernism. The building was decorated with murals ikr painted by Herbert Beyer in 1923, after the internationally famous Bauhaus exhibition. Van de Velde was responsible for the design of the old school of applied arts (1905-6), also in the Jugendstil tradition. Oskar Schlemmer added wall sculptures in 1923, which had disappeared, but were replaced by copies.
The Haus am Horn was built to a design by Georg Muche in 1923 as a building model and exposure, the first practical instruction of the new Bauhaus building style. Attachments (an ordinance, more bedrooms, a balcony and a terrace ikr with garden view) were made in 1925; However, the original appearance remains unchanged. It is the only original building remaining Bauhaus in Weimar.
Weimar Bauhaus was forced to close in 1925 for political ikr reasons. Walther Gropius found support for its political and cultural position in Dessau, along with the opportunity to create a series of new buildings on a large scale. These were situated on the outskirts of the city and make up the Bauhaus itself and houses the masters (Meisterh & Auml; user), all commissioned by the city of Dessau ikr and built in 1925-26. The latter were the residences ikr of the successive directors ikr of the Bauhaus and some of its distinguished ikr professors.
From 1928 until 1932 then it has had its most influential period in their struggle for the renewal of industrial and artistic design. He attracted world famous artists ikr such as Kandinsky, Feininger and Moholy-Nagy to its faculty. The Bauhaus was closed ikr in 1933, the building itself is being used for other purposes. The interior was completely destroyed in an air raid in 1943, and no renewal was
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